![]() Everything is there, present in your own hands and beneath your feet. Go to thebroad to see her incredi.' Aubrey Reynolds on Instagram: 'We got obliterated (in the obliteration room) by Yayoi Kusama. The final room, called Obliteration Room, takes guests from viewer. 160 likes, 4 comments - Aubrey Reynolds (aubreyannreynolds) on Instagram: 'We got obliterated (in the obliteration room) by Yayoi Kusama. There is no frame here, no segregated distance between art and onlooker, no detachment between the artistic process and the final piece. Yayoi Kusamas Infinity Mirrors exhibit made its last touring stop in Atlanta at the. The Tate’s brutalist architecture is also transformed via this colourful exhibit: both literally through its colour and through the spirit of its idea that art should be joyful, collaborative, and spread beyond boundaries. Upon entering the apartment, the area commands your whole body, creating a fully immersive and physical experience. The clunks of the piano reverberate around the whole space– its echoes adding to the overpowering sensory experience of the exhibit. This room includes a rocking horse, a ping pong table, and a piano whose dots are worn from repeated playing. Play is encouraged not only through the premise of the exhibit, but also by having a final room full of toys. ![]() The Tate’s brutalist architecture is also transformed via this colourful exhibit The promotion of art in our own worlds is stressed through the domestic setting of the blank canvas. It aims to inspire communal artistic creation both within the space and within our lives more generally. The exhibit aims to bring colour to everything. But it also indulges a child-like desire in adults to scribble all over the walls, handing back a kind of creative freedom. It was primarily designed with children in mind. The primary joy of this exhibit is how much it invites, and centres on, play. What forces allowed them to, repeatedly, yet organically, spring up and grow across the entire summer of this project?Īnna Piper-Thompson at the exhibit Maddy Allardyce All the other interior objects in the house are absorbed into the mix of colour, as you are hit by an explosion of colour surrounding you on all sides. The rainbows appear to wrap around the entire apartment in a bow when the exhibit is viewed in its entirety from the balcony, becoming the only discernible feature when viewed this way. There are also large arching, swooping rainbows in every room. A personal favourite of mine was people’s tendency for creating faces with little “o” shaped mouths on the mirror (which I added my own to). Patterns emerge, wherever you look, whether purposeful or accidental, in the ways people have chosen to use their stickers. ![]() She asks us to engage with it and to allow our creativity to flow through it. However, here she hands us her medium in the form of a sheet of dot stickers. Here are three fascinating facts about the project. Kusama has repeatedly used the dot motif across her career. Yayoi Kusamas popular installation Obliteration Room turns 20 years old in 2022. It was primarily designed with children in mind But this white was not from Kusama’s apartment, rather it was created from the sticker sheets left from people’s “obliteration”, forming a carpet across the space. The majority of the white was concentrated in the final room. The one rule is that you use all the stickers you’re given within the space.īy the time I visited in late August, there was little white left. The aim is for visitors to completely transform the space through their own creative choices, by placing circular stickers wherever they desire the artistic creation is entirely placed within your hands. The exhibit begins its life as an entirely white space: a monochromatic home with a lounge, kitchen, bedrooms and playroom. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.First staged in the Queensland Art Gallery in 2002, Yayoi Kusama’s “Obliteration Room” has been on display at the Tate Modern this summer, in partnership with the Japanese retail brand UNIQLO as part of the “UNIQLO Tate Play” project at the gallery. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. From her instagrammable Infinity Rooms to her UNIQLO sponsored Obliteration Room, Yayoi Kusamas work appeals to everyone - art enthusiasts and young.
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